Our five-pronged approach focuses on your individual strengths to develop your unique qualities towards making you an exemplary pi- designer.
Ridhima Sharma
03/10/2023
share
Table of Content:
An approximate average of 8.06 billion spectators witnessed the successful descent of the Vikram lander on the lunar surface just past 6 p.m. on August 23—making India the first country ever to reach the southern polar region of the moon and only the fourth country ever to land on the moon. The triumph of this third lunar mission not only elevates the prowess of the Indian space programme, but on a meta-level, it signals the coming of age of India as a space-faring nation. Extending far beyond its scientific milestones, Chandrayaan-3 offers a wealth of insights for both designers and design students.
Design iteration lies at the heart of Chandrayaan-3's journey, demonstrating the vital lesson of learning from failures and implementing concrete design improvements through adaptability and practical enhancements. Increased landing size and payload weight for safety offer tangible examples of how design is a continuous and pragmatic evolutionary process; therefore, designers must continue to refine methodologies based on real-world challenges with critical design thinking. This iterative approach not only discovers optimised solutions but also demonstrates how setbacks can be turned into opportunities for improved functionality.
In the context of user-centric design, Chandrayaan-3 provides a practical lesson by prioritising user needs. By incorporating two hazard detection cameras that aim to offer real-time visual data, enhancing control and safety during critical mission phases, Chandrayaan-3 illustrates the importance of user-focused design in streamlining complex interactions, ultimately improving functionality and user understanding.
At the intersection of problem-solving and innovation, Chandrayaan-3 teaches designers to approach constraints with ingenuity by reducing rover weight and introducing a propulsion module. Its efficient use of a single instrument, SHAPE, for Earth observations from lunar orbit, compared to the nine in-situ instruments on Chandrayaan 2, demonstrates streamlined and efficient design principles. This highlights the importance of continuous innovation and encourages designers to foster a culture of ongoing improvement. As design educators, it is imperative that we guide our students to extract profound insights from Chandrayaan-3, underscoring the significance of resource management, fostering creative problem-solving skills, and instilling the essential role of innovation in attaining design excellence.
In the realm of design, the Chandrayaan-3 spacecraft also serves as an instructive model, illustrating the intricate fusion of functionality and design. It portrays this synergy through the Pragyan rover, which leaves symbolic imprints on the lunar surface, etching ISRO's identity (logo) and the national emblem. Refuting this mission as "just a scientific endeavour," the approach demonstrates the capacity of design to promote cultural significance while fulfilling utilitarian roles.
Additionally, Chandrayaan-3's structural refinements, including the separation of the lander, propulsion module, and rover, or the omission of a central thruster for design efficiency, and reinforced landing legs for high-velocity landings, demonstrate the meticulous integration of functional improvements. This case study imparts a valuable lesson to designers—how to balance cultural elements with scientific and functional requirements, facilitating the seamless merger of design and functionality while leaving a lasting impact on the collective consciousness.
From Chandrayaan-3, designers can learn the paramount importance of designing with sustainability and efficiency in mind. This includes considerations such as energy consumption, material choices, and recycling methodologies used within the mission. By integrating additional solar panels into the lander's structure, Chandrayaan-3 strategically tackles the issue of generating power, ensuring the successful landing of the Vikram lander. From this aspect, designers can adapt to seek innovative and eco-friendly solutions that align harmoniously with the overarching objectives of their projects, fostering both sustainability and efficiency in their designs.
Chandrayaan-3's iterative approach to prototyping and testing components also serves as an instructive model for design students. The implementation of advanced testing techniques, including helicopter simulations and crane-assisted landings, to navigate the formidable challenges of space underscores the significance of rigorous testing for project success. For design students, this case study imparts essential lessons especially in the field of product design where active prototyping, and user testing towards ensuring that user requirements and expectations are met, ultimately contributing to the project's success.
Large-scale projects such as this lunar mission require project management skills with parameters like meticulous timeline planning, resource allocation, and coordination similar to the execution of a design process. For instance, Chandrayaan-3 achieved its ambitious goals within a notably modest budget of 615 crore rupees, showcasing exceptional resource management and efficiency, partly as a result of collaborative efforts with various Indian enterprises, including Larsen and Toubro (L&T), Hindustan Aeronautics, and Godrej.
Chandrayaan-3's launch brought an influx of visual data, underscoring the significance of effective information communication in a visually-oriented industry. This case study provides a unique opportunity to address a common challenge: making intricate scientific concepts accessible to a broader audience, including the public, stakeholders, and mission partners. Effective visual communication, through visualisations, infographics, interactive media, and compelling narratives, simplifies complexity for the masses, enhancing public understanding and engagement in space exploration.
This heightened awareness could potentially attract more investment into India's growing space industry, which is set for substantial growth, with potential positive economic impacts. Chandrayaan-3 exemplifies the intertwined relationship between effective design communication, public awareness, and the space sector's economic potential, showcasing the advantages of visual-centric communication in the contemporary information landscape.
The case of Chandrayaan-3 also reinforces that design is inherently a collaborative endeavour, seeking interventions from diverse disciplines. How? Making intricate scientific concepts accessible to a broader audience, including stakeholders, mission partners, and most importantly, the public, provides a unique opportunity to address the challenge of bridging the gap. The launch of this lunar exploration brought an influx of visual data, underscoring the dire significance of effective communication in a visually oriented industry. Further, heightened awareness around this subject holds the potential to attract more investment into India's growing space industry, eventually fostering positive economic impacts.
In essence, Chandrayaan-3's design methodology is not just a scientific endeavour; it is a design manifesto that speaks of resilience in failure, innovation in problem-solving, and the power of interdisciplinary synergy. As educators, we must impart its lessons—tenacity, innovation, and holistic collaboration—to shape future designers who dare to redefine boundaries and embrace the extraordinary.
Want to uncover articles that provide fresh perspectives? If you loved reading this chapter of design lessons, dive into the fundamentals of interior design to get in-depth insights. In another vein, if you are seeking some design inspiration, you may find reading this curated list of product design books inspiring.
Interested in developing a nuanced understanding of design? Watch designer Sonia Manchanda’s sharing her pearls of wisdom on developing design sense.
Did you know that we spend about 90% of our time indoors! We use the built environment, especially interior spaces,…
The moment one hears the word fashion, one immediately visualises, beautiful clothes, bags, accessories, interesting prints, embroidery and colours, glamour,…
The digital age has allowed photography to boom like never before. It’s a massive, commercial industry which is growing explosively…
One of the most exciting aspects of my job is interacting with design aspirants. I love their enthusiasm and their…
Thomas Watson Junior. This quote is often attributed to Thomas Watson Jr., the son of Thomas Watson, the founder of…
enquiry form